Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | St.Jerome | Trinity with Mary Magdalene,St John the Baptist,Tobias and the Angel | A Young Man being introduced to the Seven Liberal Arts | The Birth of Venus | Trials of Moses |
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fritz von dardel
Fritz Ludvig von Dardel, född den 24 mars 1817 i Neuchâtel, död den 27 maj 1901 i Stockholm, var en schweiziskfödd svensk överintendent, militär, målare och tecknare. Fritz von Dardel var son till godsägaren Georges-Alexandre von Dardel och grevinnan Hedvig Sofia Charlotta Amalia Lewenhaupt. Han var gift med friherrinnan Augusta Silfverschiöld. Släkten von Dardel kommer från Schweiz och adlades i Sverige 1810. Von Dardel blev vid sexton års ålder konstapelkadett vid Vendes artilleriregemente, 1837 underlöjtnant vid Svea livgarde och avancerade till överstelöjtnant i armen 1862. Han blev 1850 adjutant hos kronprinsen och sedan hos Karl XV. Von Dardel var 1858-62 militärattach?? i Paris samt blev 1864 kabinettskammarherre hos Karl XV och samma år överintendent och ordföranden i Akademin för de fria konsterna, av vilken han 1861 invalts till hedersledamot. Dessutom var han ordförande i Nationalmuseums nämnd i 25 år (1867-92). Vid flera konstutställningar i Europa (1867, 1871, 1873 och 1878) samt i Philadelphia (1876) var han juryman. Själv hade von Dardel bedrivit studier på L??on Cogniets och E. Lamis ateljeer i Paris. Fritz von Dardel tillhörde Karl XV:s intima krets och har gjort ett flertal dråpliga, akvarellerade teckningar av personer och händelser vid hovet eller under kungens resor, vidare folklivsbilder samt litografier. Hans dagböcker (se nedan) som utgavs postumt är skrivna på franska och översatta och redigerade av hans söner.
Ortiz, Francisco Pradilla
Spanish, 1848-1921 Spanish painter and museum official. He first studied in Saragossa with the stage designer Mariano Pescador (d 1886), and in 1866 moved to Madrid where he began to work with the stage designers and decorators Ferri and Busato. He entered the Escuela Superior de Pintura, Escultura y Grabado and also attended the Academia de Acuarelistas. In 1873 Pradilla and his fellow student Casto Plasencia (1846-90) won history painting scholarships to study at the newly founded Academia Espaola de Bellas Artes in Rome. In 1874 he sent from Rome a copy of Raphael's Dispute over the Holy Sacrament, a work Pradilla completed in collaboration with Alejandro Ferrant (b 1844), another Spanish scholarship holder. During Pradilla's second and third years abroad he travelled through France, visiting the Paris Exposition Universelle of 1875, and Italy, where he was particularly impressed by Venice and the works of Veronese, Titian and Jacopo Tintoretto. Pradilla won a major prize in 1878 at the Exposicien Nacional de Bellas Artes in Madrid; as a result of this success he received the commission for another large picture on a historical theme, the Surrender of Granada (1882; in situ) for the Palacio del Senado (now Pal. de las Cortes) in Madrid. This work shows Pradilla's concern to paint from life in his treatment of the landscape of Granada. He produced other paintings on related subjects, including Mad Queen Joanna Imprisoned at Tordesillas (priv. col., see Pardo Canalis, pl. xviii) and the Sigh of the Moor (Madrid, Rodriguez Bauz priv. col., see Pardo Canalis, pl. xvii). Pradilla also painted lively scenes of local life and colour. The years of his stay in Rome, where he was director of the Academia Espaola between 1881 and 1883, allowed him to get to know the country around Rome and many other places in Italy.
Giulio Rosati
Italian Painter, 1858-1917